Mylen Tumaliuan-Huggins


Movement is the central theme in my paintings. I move mediums across the plane, engaging in acts of shifting, pivoting, going forth and back, repetition, and re-imagination.
This process reflects a simultaneous relationship between the materials and me. The resulting artwork is the rewarding product of this partnership. My subjects serve as references or representations of a memory, a place, a feeling, or, most often, nothing in particular.
My participation with nature both as an artist and as a human being defines my artistic practice. Painting naturally reveals metaphors and awareness about my place and interactions with the world. Through my paintings, my hope is that viewers can find images or feelings with which they can connect.
I primarily work in encaustic, printmaking, and painting on wood panels, canvas, or a variety of papers. I sketch, draw, and apply paint, wax, or other media to build layers, then move paint across the surface using a variety of tools. I simultaneously add and remove space, shapes, lines, or textures to achieve the composition.
BIO.
Mylen became a full-time practicing artist in 2020. Her work has been exhibited at The Confluence Gallery, Gage Academy of Art, Phinney Neighborhood Association, Eras Living (The Lakeshore and Aljoya), Roberson Art Space, DubSea Coffee and was represented by CORE Gallery from 2020-2022.
Mylen immigrated with her family from the Philippines to the United States in 1982. After high school, she attended College for Creative Studies – Center for Art and Design in Detroit, MI, majoring in Graphic Design and Illustration.
Prior to turning to her practice full-time, she worked as a teaching artist for Arts Corps, Seattle Art Museum, and Seattle Public Schools, and as an artist mentor for Arts Impact. She served as a committee and board member for Arts Corps and a contributing art juror for Phinney Neighborhood Association.
She lives and works in Seattle.